Quilting

Olympics in China: That’s Not All!

Can anybody read Chinese?

Can anybody read Chinese?

The Olympics aren’t the only exciting thing occurring in China. This package arrived on my doorstep from Hong Kong: the bluelines for Color Mastery. I sure wish I knew what this said. I’m sure it’s something quite boring, like “folio 1 of 7,” but the writing looks so elegant.

Color Mastery color proofs

Color Mastery color proofs

I’ve been poring over (thanks Marla!) these proofs to make sure the colors are dead-on accurate. I drove Gregory Case, my photographer, crazy with my questions and his constant assurances that, yes, the colors would be accurate even though they didn’t look that way on my monitor. Gregory was a therapist before being a photographer, and he told me I needed to take the leap and experience the result, even if I made a mistake. Wow, therapy and photography all from one guy!

I took these proofs with me everywhere this week: home, carpooling, even pee-wee football practice. Quite the contrary to Alicia’s experience when she and her husband Andy secluded themselves in a quiet diner to look over hers for her book. I remember those days, bc (before children).

My pee-wee football player

My pee-wee football player

Here’s son #2 in his pads and uniform, ready to hit somebody! This is a new experience for me, and not an easy one. Watching my son get knocked to the ground repeatedly during practice is tough. And for 7-year-olds, there’s no such thing as a clean hit: they grab onto anything they can to bring you down: shirt, mask, hit from the back. My husband tells me the goal for son #2 is to get through practice without quitting or crying. He will, but I might not.

Olympic Quilts

1996 Olympic Quilt with pins from Atlanta games

1996 Olympic Quilt with pins from Atlanta games

We’re Olympics junkies here. We’re glued to Olympic coverage and letting the boys stay up late to watch even though school has started. I love everything about the Olympics: the collective enthusiasm of the world watching a single event all at once and cheering on the athletes, the spectacle of the ceremonies, the stories of persistence and courage. I’m a sucker for all of it.

When the Olympics were in Atlanta, quilters from Georgia en masse turned out and made quilts in droves, and each country received two quilts: one went to the flagbearer, the other to the head Olympic official for that country. I worked on two quilts, one going to El Salvador and the other to Belarus. They are documented in this book: The Olympic Games Quilts: America’s Welcome to the World (Olympic Games Quilt).

A group photo of all the quiltmakers is on the back of the book, taken in the rotunda of the Georgia capitol building in Atlanta. It was so hot that day some of the older ladies were passing out, and I was five months pregnant with my first child.

My guild at the time, East Cobb Quilt Guild, had a meeting where we all made an Olympic wall hanging with one star for each of the Olympic rings. I attached all the pins to the quilt and it’s hanging in my powder room, along with lots of other Americana-themed decorating. One pin is special, and wasn’t available to the general public:

Pin given to quilters who made quilts for the 1996 Atlanta Olympic Games

Pin given to quilters who made quilts for the 1996 Atlanta Olympic Games

This pin you couldn’t buy and it was special to me for being a part of the games. I’ll never be an Olympic athlete, but in my own small way I was a part of the games in Atlanta.

It has on it the quilt of leaves that became the symbol for the 1996 Atlanta games, saving us from that horrible initial mascot, Whatizzit.

From Sketchbook to Art Quilt

(You’re gonna want to scroll down for this one.) So what does all this stuff about sketching have to do with quilting? It prepares you for the single moment that inspiration strikes. I want to make a quilt of a house, a bird, a cup of coffee. I want to make a bow-tie quilt, log cabin. I can’t wait to use that new fabric. Now you have a rich repository from which to draw images from. You’ve “filled the well” as Julia Cameron would say in her seminal work, The Artist’s Way: A Spiritual Path to Higher Creativity [10th Anniversary Edition] .

Here’s one path from sketch to original art quilt. I started with several thumbnail sketches, not really sure how I wanted to capture this gorgeous valley.

First Thumbnail

First Thumbnail

Second Thumbnail

Second Thumbnail

Third Thumbnail

Third Thumbnail

Fourth Thumbnail

Fourth Thumbnail

I went with thumbnail #3, as I loved the vertical composition and the feeling I was at the top of the peak looking down. I captured the image on muslin using watercolor crayons, and here it is being auditioned for a border to serve as a frame:

Final Piece:  Which Border?

Final Piece: Which Border?

And here it is on my design wall ready to be quilted:

Art Quilt on Design Wall

Art Quilt on Design Wall

All the preparation in my sketchbooks readied me for this quilt. Funny, it didn’t feel like preparation. It felt more like time was flying by, being the in flow, capturing the images and moments that held meaning for me. Truly, the best part of being an artist. Dreaming, sketching, and quilting.

I love my job, don’t you?

Note of interest: The tiny building in the background (best seen in Thumbnail #1) burned to the ground months after I did this sketch. It was a local restaurant that held many memories for me and neighbors in my community. Now it has been immortalized in a work of art. See what I mean by capturing meaning? I had no idea of the unfortunate event that would come, nor do you ever know all the layers a work of art potentially holds. Until you actually create it.

Early Sketch Before My Journals

My first self-portrait.

My first self-portrait.

I promised in my podcast I would post an early sketch I did before I was keeping any kind of a journal. I did this sketch over nine years ago, and it’s imperfect, but I love it. It’s from a childhood photo of me wearing my dad’s sport coat and hat (when men still wore that stuff). The drawing  represents a new beginning in my art - getting back to drawing. I did this sketch in a spiral notebook and I’m so glad I did, or else I’m sure I wouldn’t have kept up with it.

I’m On Mary Lou’s Blogroll!

Mary Lou and Cherries Too Blog

I feel like I’ve arrived. Mary Lou Weidman has added me to her blogroll. Wow. I’m so honored. Mary Lou is one of my all-time favorite quilters, not only for her courageous use of bold colors, but also for her gracious and optimistic attitude.

I have all of Mary Lou’s books, and I’ll be adding her newest to my library as soon as it comes out. Mary Lou has a fabulous website with all kinds of eye candy, and her blog is as inspirational and cheery as she is.

Mary Lou is visiting my guild, the East Cobb Quilter’s Guild, in August, and you can be sure I’ll be in her class. Who would want to miss just being around someone so fun who creates such original and whimsical quilts?

The Ultimate Stitch Sampler

Stitch Sampler Quilt

This is the ultimate stitch sampler. First, let me make clear this is not my quilt. I took this photograph over 10 years ago at a local quilt show when photography was not nearly as far along as it is now. This isn’t a great photo, but it will serve the purpose for this post.

This is a fantastic utility quilt, made by a wise woman. The quiltmaker had just bought a new machine with a myriad of stitches she had no idea how to use. So she set out to learn how to use them by making a crazy quilt. She used up her scraps, and used every stitch on that machine over, and over, and over again.

You can be sure after making this quilt, she knew how to make her machine purrr. I haven’t looked back at this photo since I stored it, but I remember this quilt and how impressed I was at the investment this quiltmaker made in learning how to master her sewing machine. I was also a new mom who was rather envious of the time this woman had to devote to her quilting.

My how the days fly by. I now have two children, who are not so little anymore.

I hope you’ve enjoyed this series on getting the most out of your sewing machine. Make a date with your machine to get to know it better. Your quilts will improve, I promise.

Practice Specialty Stitches on Your Project Fabric

Mini-Stitch Sampler

Once you’ve created your general mini-stitch samplers, you should be well-prepared for any type of quilting you want to do with your machine. I still, however, create a small sampler before I quilt on a project. I need to see how those stitches will look on the fabric I’m using.

My generic mini-stitch samplers were on mostly solid-colored fabrics, but few of my quilts are that serene. They are alive with print and texture, and I don’t want my quilting competing with it. So I make a mini-quilt sandwich with leftover project fabric and I test my stitches.

The photo above was for a quilted purse I made - the Annabelle bag (click on the link to see the resulting bag and my post on how I made it). On the pattern photo the designer included specialty stitches, and I practiced those on my mini-sandwich. But I decided the stitches competed too much with the fabrics and I did freemotion quilting instead.

I couldn’t have made that decision without experimenting, and that resulted in a better-looking bag.

Last installment: the ultimate stitch sampler.

Experiment with Threads and Stitch Settings

Thread and Stitch Sampler

If you’ve created your first set of mini-stitch samplers, then I recommend you create a sampler experimenting with specialty threads and changing your stitch settings. I like using the thicker machine quilting threads from YLI and Superior, so I experimented with regular straight and zig-zag stitches to see the difference the threads would make.

Thread and Stitch Sampler

Then I put in regular Mettler thread and experimented with stitch widths and lengths. I often do machine applique and and wanted to see what my favorite settings would be. Notice in these photos I meticulously labeled each line of stitching as to what stitch it was, the thread I used, and the width and length settings. Don’t leave it to memory. It doesn’t work that way, unfortunately.

Next up: Practice on your good fabric!

Create Mini-Stitch Samplers

Mini-Stitch Sampler

Being an instructor, I dutifully took the free classes offered when I bought my sewing machine years ago. Those classes didn’t even scratch the surface of what my machine could do. It came with a manual, but it didn’t really go in-depth either. I was determined to make the most of my sewing machine investment, so here’s what I did:

  1. Gathered my largest scraps and cut them about 5×5″.
  2. Backed each scrap piece with Stitch ‘n Tear so the specialty stitches wouldn’t get buried in the fabric and jam. Stitch ‘n Tear is a thick stabilizer, not a fusible, that many embroiderers use. If your quilt shop doesn’t carry it, your local sewing machine dealer probably does.
  3. Stitched a sample of every single stitch on my sewing machine and labeled each one.

What a process of discovery. You know what I found?

Mini-Stitch Sampler

  • Stitches don’t look the same on fabric as they do on that cute little icon on the machine.
  • Some stitches just didn’t work. They jammed, they were ugly, why where they there?
  • Some stitches were fantastic and held potential far beyond what was in the manual.

I now had a reference that held meaning for me and my machine that went far beyond what any teacher or manual could tell me.

So put on some music, get out the chocolates, and make an evening of it. Then get one of those ring clips and put all your stitch samplers on it and store them with your machine.

You might even take them to class next time. Tell them I sent you.

Next in the series:  Experimenting with stitch settings and threads.

How Many Specialty Stitches Does Your Machine Offer?

Mini-Stitch Sampler

Quilters have fabulous sewing machines that offer more stitches than we’ll ever really use. Let’s face it: most quilters use the straight stitch, zig-zag, feather stitch, buttonhole stitch, and maybe one or two others. But the remaining stitches are lonely, waiting to be remembered and at least acknowledged.

So do it. You never know what promise specialty stitches hold for use in your quilts. I use many stitches most quilters think of only as clothing stitches. I often use the three-step zig-zag stitch to sew on my bindings by machine. It’s a great stitch for baby quilts, as that binding is super secure.

Next up:  Creating mini-stitch samplers.

Getting to Know You

Machine Stitch Samplers

What if I told you I could instantly make you a better machine quilter with just one simple technique?  And you wouldn’t have to invest in any expensive tools, DVDs, or books.  Just use what you have.

Interested?

Here it is:

Get to know your machine better.  Spend some time with it.  I can always tell the quilters in my class who know their machines really well, as they are instantly more successful in class because of it.  They’re not necessarily better quilters, they simply know how to make their machines purrrrrrrr.

I’ll be unveiling specifics on how to get the most from your machine next week.  Stay tuned!

Home Sweet Home

Teapot Drawing by Maria Peagler

My kids missed me while I was gone, and one of their favorite ways to spend time together is drawing. I was exhausted and dragged myself into this, but as always with anything creative, I had a blast doing it.

This is a teapot pincushion in the Mary Engrelbreit Home magazine, spring issue. How cute is that?

I’ll be teaching Machine Quilting at the Piecemaker’s Guild in Cumming, GA on Tuesday, May 27. I think they have a couple spaces still available, so if you’re in the area, come join us from 10:00 to 4:00 at Christ the King Lutheran Church.

Multimedia message



Multimedia message, originally uploaded by Colorful Quilter.

Memories of market sketched in my journal.

Multimedia message



Multimedia message, originally uploaded by Colorful Quilter.

I’m here. Schoolhouse today. Hot in Portland today.

Multimedia message



Multimedia message, originally uploaded by Colorful Quilter.

Color at 38,000 feet

Color Mastery Cover

As promised, here it is. The cover for Color Mastery:

Color Mastery by Maria Peagler

My cover designer is fabulous, and she did such a tremendous job on this. I wanted Color Mastery not only to be a color bible for quilters, but a book that begged to be taken off the shelf and pored through for its beauty alone. We did just that.

Color Mastery: 10 Principles for Creating Stunning Quilts

Color Mastery Cover Sneak Peek

Congratulations - it’s a book! This is a sneak peek from the cover of the upcoming book I’ve been hinting at:

Color Mastery: 10 Principles for Creating Stunning Quilts

If you’ve been reading this blog for awhile, you know how passionate I am about color. Now, I’m sharing that passion with you, and giving you a glimpse at the book throughout the week.

Color Mastery will be available in your local quilt shop in February ‘09. That sounds like a date in the distant future, but it will be here before we know it! I’ll be attending my first quilt market this May to meet and greet with distributors to ensure the book will be available in your area, even if it’s internationally!

Note to international readers: send me the link or email for your local quilt shop and I’ll chat with them to find out their distributor who supplies their books. I’m at mariapeagler(at)tds(dot)net.

Look for a blog I’m developing that will be solely about Color Mastery. I’ll then be returning to the regular content I do on this site: quilting, creativity, life, and and how they all interact.

Next up: Color Mastery’s Table of Contents. Be the first to get a top-secret look into the chapters and projects that will open your eyes to the world of artistic color in your quilts!

WSJ Article Profiles Quilting’s Growth and Presence in Paducah

Quilter's Catalog by Meg Cox

Meg Cox, author of The Quilter’s Catalog,  writes an interesting article in the Wall Street Journal profiling how Paducah, KY has been transformed from a poor, rural, nowhere town into a booming economic powerhouse, all due to the quilting industry. It’s a great read and an amazing profile of how far quilters have come. Click on the link below to read it.

Wall Street Journal article: Stitching Up the Future, by Meg Cox

Oh My Aching Hands!

Ouch!

My hands hurt. Specifically, my thumbs at the joint where they join the wrist. I guess quilting overload will do that. I talked to my doctor about it, and she said it’s from overuse, and I need to pace myself when I quilt.

Who is she kidding?

Do ya’ll have this? If so, what do you do about it? Dr. suggested trying out some of the hand support braces at the drugstore. I’ve seen quilters use them, but I’ve been too vain to do it. They aren’t the most attractive accessories.

Male Hunks in a Quilt

Country Boys by Pat Froelich

Jeanne over at Sew Memorable is hosting a Country Music quilt challenge. Make a quilt using your favorite country music song as its title. My friend Pat made one with hunky cowboy fabric. She did an awful lot of piecing for a challenge quilt. Good for her!

The challenge will be up throughout the month of April. If you get a chance, stop by and check out the quilts. One even has a Patsy Cline/Picasso theme. That leaves you thinking, doesn’t it?

How Much Binding Do I Need?

Binding on Signac's Table

I’ve just completed a binding marathon: five quilts in two days. I love creating bindings and using unique fabrics for them. However, I’m not great at determining how much binding I need for a quilt. So I always just guessed at it and ended up with too much and lots of leftover pieces.

Until now. I found this fantastic method, and after testing it with five quilts I can confidently say it works every time. Here’s how you do it:

  1. Add the measurements of all four sides of your quilt.
  2. Add 20″ to that number to allow for seams and the binding start/finish.
  3. Multiply your sum by the width of your binding, usually 2.25 (2-1/4″).
  4. Take that number and get its square root. There are lots of online calculators for doing this, including this one.

Your result is the size of the square you need to cut enough bias binding to bind your quilt. Really. It’s that simple.

Here’s an example for one of my quilts:

  1. The quilt is 58″ square. So in adding up all four sides, I get 58″x4= 232″.
  2. Now I add 20″ to that number: 232″ + 20″ = 252″.
  3. Multiply my total by the binding width: 252 x 2.25=567″
  4. Get the square root: 23.81 or 24″ rounded up.

I need a 24″ square to cut enough 2-1/4″ binding for my quilt. That tells me a fat quarter isn’t enough.

Hope you find this useful. Bookmark it and use it often. It saved me from cutting too much fabric for my bindings. And I love looking like a math person, when I’m really not!

I Spy a Quilt Studio

Maria Peagler's Quilt Studio

I spy Minnie Mouse, a chicken, a star, ziploc bags, a spreadsheet, a stash, paintbrushes, a glue stick, a tripod, and a Coke Zero.

Innovative thinking can’t be bothered with a tidy studio. Thank heavens, or I’d be in big trouble.

This is photography week for me here in the studio and for Gregory Case out in sunny California. He is photographing the quilts for my book, and they returned yesterday along with the photos. In a word: gorgeous. The man makes my quilts look good. And he’s a consummate professional who takes so much pride in his work. Isn’t it fun to work with people who inspire you to greatness?

Maria Peagler's Quilt Studio
I’ve been playing with my camera both in the studio and outdoors to learn how to take sharp photos with accurate colors. It all comes down to ISO, lighting, and resolution. I don’t claim to really understand it all, but for amateurs, outdoor photography is the way to go when you are photographing quilts. You really get much truer colors and less harsh lighting than you do indoors. I don’t have much natural light indoors, as living in the thickly-studded woods of the Appalachians makes for a lot of shade.

Maria Peagler's Quilt Studio

So where are the photos Gregory took?  On their way to the book designer.  The book is in the hands of a tremendously imaginative team of creative thinkers:  the manuscript is at the editor, the book designer is preparing the cover and interior design, and the illustrator is creating the diagrams and other art.

I’ll be posting the book’s Table of Contents later this month, and the cover in April.  I can’t wait to share all of this with you.  The point of all of this effort isn’t about me:  it’s about you and making your quilts more successful.

Can you guess what the subject of the book is?

Getting Credit for Your Quilts & Images

Georgia Landmarks quilt @ Buisson Center

I’ve noticed on my blog statistics that I get the most traffic from images of my quilts on the major search engines. I know that people are downloading these, even if my art is copyrighted. It happens.

So how you do make sure you get credit for not just the image but for the art itself? Title your photograph with the name of the artwork and your name. The photo accompanying this blog is titled with both the name of the quilt and my name, so any sneaky downloads will reference back to me.

Thanks to Alyson of ArtBizBlog and Brian at ArtStudies for this tip.

Checking In to Say “Hello”

I’m sneaking this post in between bath and bedtime for my kids, writing on my book, coordinating with illustrators, graphic designers, the photographer, technical editors, and it’s all so fun. Life right now is one of those crazy busy fantastic times, and I’m trying to soak in every single moment.

This is the busiest month for me as my deadline is March 1. After that, the book schedule will be mostly revisions for me and will ramp up for the rest of the creative team. I can’t wait for you to meet the people involved and see the results. I can post bits and pieces as we go along. Can’t wait to share with you!

Selecting a Fabric Color Palette

Triad Color WheelMiranda Bag

Here’s how I selected the color palette and fabrics for the Miranda bag. I find many quilters who are either intimidated by the color wheel or who understand the theory behind it but not how to apply it to their quilts. A real-life example should help.

I knew I wanted to use the yellow French provencal fabric, and I also knew I needed some contrast between the bag cover, bottom, and lining. But I didn’t want the contrast to be so overwhelming that it was the focus. The focus of the color scheme needed to be the French fabric, and I wanted nothing to detract from it.

So I chose yellow, blue, and red, a Triad color harmony which includes three colors evenly spaced around the color wheel. It’s a medium contrast palette, so I knew it would fit perfectly for Miranda.

While yellow, red, and blue are the hues, I needed to test fabrics for their values and intensities as well. The French fabric was a dull hue, so I wanted the other two fabrics to be dull as well so as not to overwhelm the cover.

Here are the candidates:

Fabric Palette #1

Red’s intensity is too bright. Blue’s value is right but the flowers are distracting.

Fabric Palette #2

Red’s value is good, but the intensity of an all red fabric may be too overwhelming. I need to try fabrics that have red in them but aren’t solid red. Blue fabric is perfect: value is medium, intensity is dull, and the style is in keeping with the provencal feel of the yellow fabric.

Fabric Palette #3

Same red fabric, but the blue fabric’s value is entirely too light. Next!

Fabric Palette #4
This is it! The red fabric is a print with the same style as the yellow and blue, the value is medium, and the intensity is dull. This is the final palette I chose and it turned out beautifully. I’m pleased with how the bag looks and how functional it is.

Remember this example next time you are ready to select a color palette for your next quilt.  I knew my focus (the cover fabric), selected my color harmony (triad) to fit the purpose, and they worked together to create a successful color scheme.